Tuesday 21 December 2021

Father's Love - An Emotional Story

 

Father's Love - An Emotional Story

 Once a father punished his 3 years old daughter for wasting a roll of gold wrapping paper. Since he had a meagre income, he was angry when the child tried to decorate a small box.

The little girl brought the gift to her father and said, "Daddy, it's for you."

The father felt ashamed at his earlier overreaction, but his anger flared again when he found that the box was empty.

He shouted at her, "Don't you know that when a person gives a present to someone, there's supposed to be something inside it?"

The little girl looked up at him with tears in her eyes and said, "Oh, Daddy, it is not empty. I blew kisses into the box. All for you!"

The father was speechless. He put his arms around his little daughter and begged pardon.

The man kept that gold box by his bed for years and whenever he was discouraged, he would take out an imaginary kiss and remember the love of the child who had put it there.


(Unknown)

Monday 14 June 2021

Online Novels & Stories - The Phoenix And The Carpet: Chapter-1 Part-4

 Online Novels & Stories - The Phoenix And The Carpet:

 Chapter-1 Part-4


Online Novels & Stories - The Phoenix And The Carpet: Chapter-1 Part-4 by Edit Nesbit
Online Novels & Stories - The Phoenix And The Carpet: Chapter-1 Part-4


'And—and it was an accident my putting you on the fire,' said Robert, telling the truth with some difficulty, for he did not know how the Phoenix might take it. It took it in the most unexpected manner.

'Your candid avowal,' it said, 'removes my last scruple. I will tell you my story.'

'And you won't vanish, or anything sudden will you?, asked Anthea, anxiously.

'Why?' it asked, puffing out the golden feathers, 'do you wish me to stay here?'

'Oh YES,' said every one, with unmistakable sincerity.

'Why?' asked the Phoenix again, looking modestly at the table-cloth.


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'Because,' said every one at once, and then stopped short; only Jane added after a pause, 'you are the most beautiful person we've ever seen.' 'You are a sensible child,' said the Phoenix, 'and I will NOT vanish or anything sudden. And I will tell you my tale. I had resided, as your book says, for many thousand years in the wilderness, which is a large, quiet place with very little really good society, and I was becoming weary of the monotony of my existence. But I acquired the habit of laying my egg and burning myself every five hundred years—and you know how difficult it is to break yourself of a habit.'

'Yes,' said Cyril; 'Jane used to bite her nails.'

'But I broke myself of it,' urged Jane, rather hurt, 'You know I did.'

'Not till they put bitter aloes on them,' said Cyril.




'I doubt,' said the bird, gravely, 'whether even bitter aloes (the aloe, by the way, has a bad habit of its own, which it might well cure before seeking to cure others; I allude to its indolent practice of flowering but once a century), I doubt whether even bitter aloes could have cured ME. But I WAS cured. I awoke one morning from a feverish dream—it was getting near the time for me to lay that tiresome fire and lay that tedious egg upon it—and I saw two people, a man and a woman. They were sitting on a carpet—and when I accosted them civilly they narrated to me their life-story, which, as you have not yet heard it, I will now proceed to relate. They were a prince and princess, and the story of their parents was one which I am sure you will like to hear. In early youth the mother of the princess happened to hear the story of a certain enchanter, and in that story I am sure you will be interested. The enchanter—'

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'Oh, please don't,' said Anthea. 'I can't understand all these beginnings of stories, and you seem to be getting deeper and deeper in them every minute. Do tell us your OWN story. That's what we really want to hear.'

'Well,' said the Phoenix, seeming on the whole rather flattered, 'to cut about seventy long stories short (though I had to listen to them all—but to be sure in the wilderness there is plenty of time), this prince and princess were so fond of each other that they did not want any one else, and the enchanter—don't be alarmed, I won't go into his history—had given them a magic carpet (you've heard of a magic carpet?), and they had just sat on it and told it to take them right away from every one—and it had brought them to the wilderness. And as they meant to stay there they had no further use for the carpet, so they gave it to me. That was indeed the chance of a lifetime!'

'I don't see what you wanted with a carpet,' said Jane, 'when you've got those lovely wings.'




'They ARE nice wings, aren't they?' said the Phoenix, simpering and spreading them out. 'Well, I got the prince to lay out the carpet, and I laid my egg on it; then I said to the carpet, "Now, my excellent carpet, prove your worth. Take that egg somewhere where it can't be hatched for two thousand years, and where, when that time's up, some one will light a fire of sweet wood and aromatic gums, and put the egg in to hatch;" and you see it's all come out exactly as I said. The words were no sooner out of my beak than egg and carpet disappeared. The royal lovers assisted to arrange my pile, and soothed my last moments. I burnt myself up and knew no more till I awoke on yonder altar.'

It pointed its claw at the grate.

'But the carpet,' said Robert, 'the magic carpet that takes you anywhere you wish. What became of that?'

'Oh, THAT?' said the Phoenix, carelessly—'I should say that that is the carpet. I remember the pattern perfectly.'




It pointed as it spoke to the floor, where lay the carpet which mother had bought in the Kentish Town Road for twenty-two shillings and ninepence.

At that instant father's latch-key was heard in the door.

'OH,' whispered Cyril, 'now we shall catch it for not being in bed!'

'Wish yourself there,' said the Phoenix, in a hurried whisper, 'and then wish the carpet back in its place.'

No sooner said than done. It made one a little giddy, certainly, and a little breathless; but when things seemed right way up again, there the children were, in bed, and the lights were out.

They heard the soft voice of the Phoenix through the darkness.

'I shall sleep on the cornice above your curtains,' it said. 'Please don't mention me to your kinsfolk.'




'Not much good,' said Robert, 'they'd never believe us. I say,' he called through the half-open door to the girls; 'talk about adventures and things happening. We ought to be able to get some fun out of a magic carpet AND a Phoenix.'

'Rather,' said the girls, in bed.

'Children,' said father, on the stairs, 'go to sleep at once. What do you mean by talking at this time of night?'

No answer was expected to this question, but under the bedclothes Cyril murmured one.

'Mean?' he said. 'Don't know what we mean. I don't know what anything means.'

'But we've got a magic carpet AND a Phoenix,' said Robert.

'You'll get something else if father comes in and catches you,' said Cyril. 'Shut up, I tell you.'




Robert shut up. But he knew as well as you do that the adventures of that carpet and that Phoenix were only just beginning.

Father and mother had not the least idea of what had happened in their absence. This is often the case, even when there are no magic carpets or Phoenixes in the house.

The next morning—but I am sure you would rather wait till the next chapter before you hear about THAT.


To be continued...

Thursday 3 June 2021

Online Novels & Stories - The Phoenix And The Carpet: Chapter-1 Part-2

The Phoenix And The Carpet

By Edith Nesbit

Chapter-1: The Egg: Part-2

Online Novels & Stories - The Phoenix And The Carpet: Chapter-1 Part-2 by Edith Nesbit
Online Novels & Stories - The Phoenix And The Carpet: Chapter-1 Part-2



'My hat,' said Cyril, with emotion, 'You've done it this time, Anthea.'


The flame was spreading out under the ceiling like the rose of fire in Mr Rider Haggard's exciting story about Allan Quatermain. Robert and Cyril saw that no time was to be lost. They turned up the edges of the carpet, and kicked them over the tray. This cut off the column of fire, and it disappeared and there was nothing left but smoke and a dreadful smell of lamps that have been turned too low.




All hands now rushed to the rescue, and the paraffin fire was only a bundle of trampled carpet, when suddenly a sharp crack beneath their feet made the amateur firemen start back. Another crack—the carpet moved as if it had had a cat wrapped in it; the Jack-in-the-box had at last allowed itself to be lighted, and it was going off with desperate violence inside the carpet.

Robert, with the air of one doing the only possible thing, rushed to the window and opened it. Anthea screamed, Jane burst into tears, and Cyril turned the table wrong way up on top of the carpet heap. But the firework went on, banging and bursting and spluttering even underneath the table.

Next moment mother rushed in, attracted by the howls of Anthea, and in a few moments the firework desisted and there was a dead silence, and the children stood looking at each other's black faces, and, out of the corners of their eyes, at mother's white one.




The fact that the nursery carpet was ruined occasioned but little surprise, nor was any one really astonished that bed should prove the immediate end of the adventure. It has been said that all roads lead to Rome; this may be true, but at any rate, in early youth I am quite sure that many roads lead to BED, and stop there—or YOU do.

The rest of the fireworks were confiscated, and mother was not pleased when father let them off himself in the back garden, though he said, 'Well, how else can you get rid of them, my dear?'

You see, father had forgotten that the children were in disgrace, and that their bedroom windows looked out on to the back garden. So that they all saw the fireworks most beautifully, and admired the skill with which father handled them.

Next day all was forgotten and forgiven; only the nursery had to be deeply cleaned (like spring-cleaning), and the ceiling had to be whitewashed.



And mother went out; and just at tea-time next day a man came with a rolled-up carpet, and father paid him, and mother said—

'If the carpet isn't in good condition, you know, I shall expect you to change it.' And the man replied—

'There ain't a thread gone in it nowhere, mum. It's a bargain, if ever there was one, and I'm more'n 'arf sorry I let it go at the price; but we can't resist the lydies, can we, sir?' and he winked at father and went away.

Then the carpet was put down in the nursery, and sure enough there wasn't a hole in it anywhere.

As the last fold was unrolled something hard and loud-sounding bumped out of it and trundled along the nursery floor. All the children scrambled for it, and Cyril got it. He took it to the gas. It was shaped like an egg, very yellow and shiny, half-transparent, and it had an odd sort of light in it that changed as you held it in different ways. It was as though it was an egg with a yolk of pale fire that just showed through the stone.





'I MAY keep it, mayn't I, mother?' Cyril asked.

And of course mother said no; they must take it back to the man who had brought the carpet, because she had only paid for a carpet, and not for a stone egg with a fiery yolk to it.

So she told them where the shop was, and it was in the Kentish Town Road, not far from the hotel that is called the Bull and Gate. It was a poky little shop, and the man was arranging furniture outside on the pavement very cunningly, so that the more broken parts should show as little as possible. And directly he saw the children he knew them again, and he began at once, without giving them a chance to speak.

'No you don't' he cried loudly; 'I ain't a-goin' to take back no carpets, so don't you make no bloomin' errer. A bargain's a bargain, and the carpet's puffik throughout.'

'We don't want you to take it back,' said Cyril; 'but we found something in it.'

'It must have got into it up at your place, then,' said the man, with indignant promptness, 'for there ain't nothing in nothing as I sell. It's all as clean as a whistle.'

'I never said it wasn't CLEAN,' said Cyril, 'but—'




'Oh, if it's MOTHS,' said the man, 'that's easy cured with borax. But I expect it was only an odd one. I tell you the carpet's good through and through. It hadn't got no moths when it left my 'ands—not so much as an hegg.'

'But that's just it,' interrupted Jane; 'there WAS so much as an egg.'

The man made a sort of rush at the children and stamped his foot.

'Clear out, I say!' he shouted, 'or I'll call for the police. A nice thing for customers to 'ear you a-coming 'ere a-charging me with finding things in goods what I sells. 'Ere, be off, afore I sends you off with a flea in your ears. Hi! constable—'

The children fled, and they think, and their father thinks, that they couldn't have done anything else. Mother has her own opinion.

But father said they might keep the egg.

'The man certainly didn't know the egg was there when he brought the carpet,' said he, 'any more than your mother did, and we've as much right to it as he had.'




So the egg was put on the mantelpiece, where it quite brightened up the dingy nursery. The nursery was dingy, because it was a basement room, and its windows looked out on a stone area with a rockery made of clinkers facing the windows. Nothing grew in the rockery except London pride and snails.

The room had been described in the house agent's list as a 'convenient breakfast-room in basement,' and in the daytime it was rather dark. This did not matter so much in the evenings when the gas was alight, but then it was in the evening that the blackbeetles got so sociable, and used to come out of the low cupboards on each side of the fireplace where their homes were, and try to make friends with the children. At least, I suppose that was what they wanted, but the children never would.

On the Fifth of November father and mother went to the theatre, and the children were not happy, because the Prossers next door had lots of fireworks and they had none.




They were not even allowed to have a bonfire in the garden.

'No more playing with fire, thank you,' was father's answer, when they asked him.

When the baby had been put to bed the children sat sadly round the fire in the nursery.

'I'm beastly bored,' said Robert.

'Let's talk about the Psammead,' said Anthea, who generally tried to give the conversation a cheerful turn.

'What's the good of TALKING?' said Cyril. 'What I want is for something to happen. It's awfully stuffy for a chap not to be allowed out in the evenings. There's simply nothing to do when you've got through your homers.'

Jane finished the last of her home-lessons and shut the book with a bang.

'We've got the pleasure of memory,' said she. 'Just think of last holidays.'

Last holidays, indeed, offered something to think of—for they had been spent in the country at a white house between a sand-pit and a gravel-pit, and things had happened. The children had found a Psammead, or sand-fairy, and it had let them have anything they wished for—just exactly anything, with no bother about its not being really for their good, or anything like that. And if you want to know what kind of things they wished for, and how their wishes turned out you can read it all in a book called Five Children and It (It was the Psammead). If you've not read it, perhaps I ought to tell you that the fifth child was the baby brother, who was called the Lamb, because the first thing he ever said was 'Baa!' and that the other children were not particularly handsome, nor were they extra clever, nor extraordinarily good. But they were not bad sorts on the whole; in fact, they were rather like you.




'I don't want to think about the pleasures of memory,' said Cyril; 'I want some more things to happen.'

'We're very much luckier than any one else, as it is,' said Jane. 'Why, no one else ever found a Psammead. We ought to be grateful.'

'Why shouldn't we GO ON being, though?' Cyril asked—'lucky, I mean, not grateful. Why's it all got to stop?'

'Perhaps something will happen,' said Anthea, comfortably. 'Do you know, sometimes I think we are the sort of people that things DO happen to.'

'It's like that in history,' said Jane: 'some kings are full of interesting things, and others—nothing ever happens to them, except their being born and crowned and buried, and sometimes not that.'

'I think Panther's right,' said Cyril: 'I think we are the sort of people things do happen to. I have a sort of feeling things would happen right enough if we could only give them a shove. It just wants something to start it. That's all.'

'I wish they taught magic at school,' Jane sighed. 'I believe if we could do a little magic it might make something happen.'




'I wonder how you begin?' Robert looked round the room, but he got no ideas from the faded green curtains, or the drab Venetian blinds, or the worn brown oil-cloth on the floor. Even the new carpet suggested nothing, though its pattern was a very wonderful one, and always seemed as though it were just going to make you think of something.

'I could begin right enough,' said Anthea; 'I've read lots about it. But I believe it's wrong in the Bible.'

'It's only wrong in the Bible because people wanted to hurt other people. I don't see how things can be wrong unless they hurt somebody, and we don't want to hurt anybody; and what's more, we jolly well couldn't if we tried. Let's get the Ingoldsby Legends. There's a thing about Abra-cadabra there,' said Cyril, yawning. 'We may as well play at magic. Let's be Knights Templars. They were awfully gone on magic. They used to work spells or something with a goat and a goose. Father says so.'




'Well, that's all right,' said Robert, unkindly; 'you can play the goat right enough, and Jane knows how to be a goose.'

'I'll get Ingoldsby,' said Anthea, hastily. 'You turn up the hearthrug.'

So they traced strange figures on the linoleum, where the hearthrug had kept it clean. They traced them with chalk that Robert had nicked from the top of the mathematical master's desk at school. You know, of course, that it is stealing to take a new stick of chalk, but it is not wrong to take a broken piece, so long as you only take one. (I do not know the reason of this rule, nor who made it.) And they chanted all the gloomiest songs they could think of. And, of course, nothing happened. So then Anthea said, 'I'm sure a magic fire ought to be made of sweet-smelling wood, and have magic gums and essences and things in it.'

'I don't know any sweet-smelling wood, except cedar,' said Robert; 'but I've got some ends of cedar-wood lead pencil.'



To be continued...

Wednesday 24 June 2020

After Twenty Years

by O. Henry



After Twenty Years by O. Henry
After Twenty Years by O. Henry 

The policeman on the beat moved up the avenue impressively. The impressiveness was habitual and not for show, for spectators were few. The time was barely 10 o'clock at night, but chilly gusts of wind with a taste of rain in them had well nigh depeopled the streets.

Trying doors as he went, twirling his club with many intricate and artful movements, turning now and then to cast his watchful eye adown the pacific thoroughfare, the officer, with his stalwart form and slight swagger, made a fine picture of a guardian of the peace. The vicinity was one that kept early hours. Now and then you might see the lights of a cigar store or of an all-night lunch counter; but the majority of the doors belonged to business places that had long since been closed.



When about midway of a certain block the policeman suddenly slowed his walk. In the doorway of a darkened hardware store a man leaned, with an unlighted cigar in his mouth. As the policeman walked up to him the man spoke up quickly.

"It's all right, officer," he said, reassuringly. "I'm just waiting for a friend. It's an appointment made twenty years ago. Sounds a little funny to you, doesn't it? Well, I'll explain if you'd like to make certain it's all straight. About that long ago there used to be a restaurant where this store stands--'Big Joe' Brady's restaurant."

"Until five years ago," said the policeman. "It was torn down then."

The man in the doorway struck a match and lit his cigar. The light showed a pale, square-jawed face with keen eyes, and a little white scar near his right eyebrow. His scarfpin was a large diamond, oddly set.

"Twenty years ago to-night," said the man, "I dined here at 'Big Joe' Brady's with Jimmy Wells, my best chum, and the finest chap in the world. He and I were raised here in New York, just like two brothers, together. I was eighteen and Jimmy was twenty. The next morning I was to start for the West to make my fortune. You couldn't have dragged Jimmy out of New York; he thought it was the only place on earth. Well, we agreed that night that we would meet here again exactly twenty years from that date and time, no matter what our conditions might be or from what distance we might have to come. We figured that in twenty years each of us ought to have our destiny worked out and our fortunes made, whatever they were going to be."
"It sounds pretty interesting," said the policeman. "Rather a long time between meets, though, it seems to me. Haven't you heard from your friend since you left?"

"Well, yes, for a time we corresponded," said the other. "But after a year or two we lost track of each other. You see, the West is a pretty big proposition, and I kept hustling around over it pretty lively. But I know Jimmy will meet me here if he's alive, for he always was the truest, stanchest old chap in the world. He'll never forget. I came a thousand miles to stand in this door to-night, and it's worth it if my old partner turns up."

The waiting man pulled out a handsome watch, the lids of it set with small diamonds.

"Three minutes to ten," he announced. "It was exactly ten o'clock when we parted here at the restaurant door."

"Did pretty well out West, didn't you?" asked the policeman.

"You bet! I hope Jimmy has done half as well. He was a kind of plodder, though, good fellow as he was. I've had to compete with some of the sharpest wits going to get my pile. A man gets in a groove in New York. It takes the West to put a razor-edge on him."
The policeman twirled his club and took a step or two.

"I'll be on my way. Hope your friend comes around all right. Going to call time on him sharp?"
"I should say not!" said the other. "I'll give him half an hour at least. If Jimmy is alive on earth he'll be here by that time. So long, officer."
"Good-night, sir," said the policeman, passing on along his beat, trying doors as he went.

There was now a fine, cold drizzle falling, and the wind had risen from its uncertain puffs into a steady blow. The few foot passengers astir in that quarter hurried dismally and silently along with coat collars turned high and pocketed hands. And in the door of the hardware store the man who had come a thousand miles to fill an appointment, uncertain almost to absurdity, with the friend of his youth, smoked his cigar and waited.

About twenty minutes he waited, and then a tall man in a long overcoat, with collar turned up to his ears, hurried across from the opposite side of the street. He went directly to the waiting man.

"Is that you, Bob?" he asked, doubtfully.

"Is that you, Jimmy Wells?" cried the man in the door.

"Bless my heart!" exclaimed the new arrival, grasping both the other's hands with his own. "It's Bob, sure as fate. I was certain I'd find you here if you were still in existence. Well, well, well! --twenty years is a long time. The old gone, Bob; I wish it had lasted, so we could have had another dinner there. How has the West treated you, old man?"

"Bully; it has given me everything I asked it for. You've changed lots, Jimmy. I never thought you were so tall by two or three inches."

"Oh, I grew a bit after I was twenty."

"Doing well in New York, Jimmy?"
"Moderately. I have a position in one of the city departments. Come on, Bob; we'll go around to a place I know of, and have a good long talk about old times."

The two men started up the street, arm in arm. The man from the West, his egotism enlarged by success, was beginning to outline the history of his career. The other, submerged in his overcoat, listened with interest.

At the corner stood a drug store, brilliant with electric lights. When they came into this glare each of them turned simultaneously to gaze upon the other's face.

The man from the West stopped suddenly and released his arm.
"You're not Jimmy Wells," he snapped. "Twenty years is a long time, but not long enough to change a man's nose from a Roman to a pug."

"It sometimes changes a good man into a bad one, said the tall man. "You've been under arrest for ten minutes, 'Silky' Bob. Chicago thinks you may have dropped over our way and wires us she wants to have a chat with you. Going quietly, are you? That's sensible. Now, before we go on to the station here's a note I was asked to hand you. You may read it here at the window. It's from Patrolman Wells."

The man from the West unfolded the little piece of paper handed him. His hand was steady when he began to read, but it trembled a little by the time he had finished. The note was rather short.

"Bob: I was at the appointed place on time. When you struck the match to light your cigar I saw it was the face of the man wanted in Chicago. Somehow I couldn't do it myself, so I went around and got a plain clothes man to do the job.
JIMMY."


***







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Wednesday 17 June 2020

The Gift of the Magi

by O. Henry



The Gift of the Magi
The Gift of the Magi


ONE dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.

There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.



While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad.

In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name “Mr. James Dillingham Young.”

The “Dillingham” had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, though, they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called “Jim” and greatly hugged by Mrs. James Dillingham Young, already introduced to you as Della. Which is all very good.



Della finished her cry and attended to her cheeks with the powder rag. She stood by the window and looked out dully at a gray cat walking a gray fence in a gray backyard. Tomorrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn’t go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. Something fine and rare and sterling—something just a little bit near to being worthy of the honor of being owned by Jim.

There was a pier glass between the windows of the room. Perhaps you have seen a pier glass in an $8 flat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art.



Suddenly she whirled from the window and stood before the glass. Her eyes were shining brilliantly, but her face had lost its color within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length.

Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim’s gold watch that had been his father’s and his grandfather’s. The other was Della’s hair. Had the queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty’s jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy.

So now Della’s beautiful hair fell about her rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her. And then she did it up again nervously and quickly. Once she faltered for a minute and stood still while a tear or two splashed on the worn red carpet.



On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she fluttered out the door and down the stairs to the street.

Where she stopped the sign read: “Mme. Sofronie. Hair Goods of All Kinds.” One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the “Sofronie.”
“Will you buy my hair?” asked Della.

“I buy hair,” said Madame. “Take yer hat off and let’s have a sight at the looks of it.”

Down rippled the brown cascade.

“Twenty dollars,” said Madame, lifting the mass with a practised hand.

“Give it to me quick,” said Della.

Oh, and the next two hours tripped by on rosy wings. Forget the hashed metaphor. She was ransacking the stores for Jim’s present.

She found it at last. It surely had been made for Jim and no one else. There was no other like it in any of the stores, and she had turned all of them inside out. It was a platinum fob chain simple and chaste in design, properly proclaiming its value by substance alone and not by meretricious ornamentation—as all good things should do. It was even worthy of The Watch. As soon as she saw it she knew that it must be Jim’s. It was like him. Quietness and value—the description applied to both. Twenty-one dollars they took from her for it, and she hurried home with the 87 cents. With that chain on his watch Jim might be properly anxious about the time in any company. Grand as the watch was, he sometimes looked at it on the sly on account of the old leather strap that he used in place of a chain.

When Della reached home her intoxication gave way a little to prudence and reason. She got out her curling irons and lighted the gas and went to work repairing the ravages made by generosity added to love. Which is always a tremendous task, dear friends—a mammoth task.

Within forty minutes her head was covered with tiny, close-lying curls that made her look wonderfully like a truant schoolboy. She looked at her reflection in the mirror long, carefully, and critically.



“If Jim doesn’t kill me,” she said to herself, “before he takes a second look at me, he’ll say I look like a Coney Island chorus girl. But what could I do—oh! what could I do with a dollar and eighty-seven cents?”

At 7 o’clock the coffee was made and the frying-pan was on the back of the stove hot and ready to cook the chops.

Jim was never late. Della doubled the fob chain in her hand and sat on the corner of the table near the door that he always entered. Then she heard his step on the stair away down on the first flight, and she turned white for just a moment. She had a habit of saying a little silent prayer about the simplest everyday things, and now she whispered: “Please God, make him think I am still pretty.”

The door opened and Jim stepped in and closed it. He looked thin and very serious. Poor fellow, he was only twenty-two—and to be burdened with a family! He needed a new overcoat and he was without gloves.

Jim stopped inside the door, as immovable as a setter at the scent of quail. His eyes were fixed upon Della, and there was an expression in them that she could not read, and it terrified her. It was not anger, nor surprise, nor disapproval, nor horror, nor any of the sentiments that she had been prepared for. He simply stared at her fixedly with that peculiar expression on his face.

Della wriggled off the table and went for him.

“Jim, darling,” she cried, “don’t look at me that way. I had my hair cut off and sold because I couldn’t have lived through Christmas without giving you a present. It’ll grow out again—you won’t mind, will you? I just had to do it. My hair grows awfully fast. Say ‘Merry Christmas!’ Jim, and let’s be happy. You don’t know what a nice—what a beautiful, nice gift I’ve got for you.”

“You’ve cut off your hair?” asked Jim, laboriously, as if he had not arrived at that patent fact yet even after the hardest mental labor.

“Cut it off and sold it,” said Della. “Don’t you like me just as well, anyhow? I’m me without my hair, ain’t I?”

Jim looked about the room curiously.

“You say your hair is gone?” he said, with an air almost of idiocy.

“You needn’t look for it,” said Della. “It’s sold, I tell you—sold and gone, too. It’s Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered,” she went on with sudden serious sweetness, “but nobody could ever count my love for you. Shall I put the chops on, Jim?”



Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year—what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts, but that was not among them. This dark assertion will be illuminated later on.

Jim drew a package from his overcoat pocket and threw it upon the table.

“Don’t make any mistake, Dell,” he said, “about me. I don’t think there’s anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you’ll unwrap that package you may see why you had me going a while at first.”

White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat.

For there lay The Combs—the set of combs, side and back, that Della had worshipped long in a Broadway window. Beautiful combs, pure tortoise shell, with jewelled rims—just the shade to wear in the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone.

But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: “My hair grows so fast, Jim!”

And then Della leaped up like a little singed cat and cried, “Oh, oh!”



Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit.

“Isn’t it a dandy, Jim? I hunted all over town to find it. You’ll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it.”

Instead of obeying, Jim tumbled down on the couch and put his hands under the back of his head and smiled.

“Dell,” said he, “let’s put our Christmas presents away and keep ’em a while. They’re too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on.”

The magi, as you know, were wise men—wonderfully wise men—who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.

***








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The New Dress


by Virginia Woolf



The New Dress by Virginia Woolf
The New Dress

Mabel had her first serious suspicion that something was wrong as she took her cloak off and Mrs. Barnet, while handing her the mirror and touching the brushes and thus drawing her attention, perhaps rather markedly, to all the appliances for tidying and improving hair, complexion, clothes, which existed on the dressing table, confirmed the suspicion—that it was not right, not quite right, which growing stronger as she went upstairs and springing at her, with conviction as she greeted Clarissa Dalloway, she went straight to the far end of the room, to a shaded corner where a looking-glass hung and looked. No! It was not RIGHT. And at once the misery which she always tried to hide, the profound dissatisfaction—the sense she had had, ever since she was a child, of being inferior to other people—set upon her, relentlessly, remorselessly, with an intensity which she could not beat off, as she would when she woke at night at home, by reading Borrow or Scott; for oh these men, oh these women, all were thinking—"What's Mabel wearing? What a fright she looks! What a hideous new dress!"—their eyelids flickering as they came up and then their lids shutting rather tight. It was her own appalling inadequacy; her cowardice; her mean, water-sprinkled blood that depressed her. And at once the whole of the room where, for ever so many hours, she had planned with the little dressmaker how it was to go, seemed sordid, repulsive; and her own drawing-room so shabby, and herself, going out, puffed up with vanity as she touched the letters on the hall table and said: "How dull!" to show off—all this now seemed unutterably silly, paltry, and provincial. All this had been absolutely destroyed, shown up, exploded, the moment she came into Mrs. Dalloway's drawing-room.

What she had thought that evening when, sitting over the teacups, Mrs. Dalloway's invitation came, was that, of course, she could not be fashionable. It was absurd to pretend it even—fashion meant cut, meant style, meant thirty guineas at least—but why not be original? Why not be herself, anyhow? And, getting up, she had taken that old fashion book of her mother's, a Paris fashion book of the time of the Empire, and had thought how much prettier, more dignified, and more womanly they were then, and so set herself—oh, it was foolish—trying to be like them, pluming herself in fact, upon being modest and old-fashioned, and very charming, giving herself up, no doubt about it, to an orgy of self-love, which deserved to be chastised, and so rigged herself out like this.

But she dared not look in the glass. She could not face the whole horror—the pale yellow, idiotically old-fashioned silk dress with its long skirt and its high sleeves and its waist and all the things that looked so charming in the fashion book, but not on her, not among all these ordinary people. She felt like a dressmaker's dummy standing there, for young people to stick pins into.

"But, my dear, it's perfectly charming!" Rose Shaw said, looking her up and down with that little satirical pucker of the lips which she expected—Rose herself being dressed in the height of the fashion, precisely like everybody else, always.

We are all like flies trying to crawl over the edge of the saucer, Mabel thought, and repeated the phrase as if she were crossing herself, as if she were trying to find some spell to annul this pain, to make this agony endurable. Tags of Shakespeare, lines from books she had read ages ago, suddenly came to her when she was in agony, and she repeated them over and over again. "Flies trying to crawl," she repeated. If she could say that over often enough and make herself see the flies, she would become numb, chill, frozen, dumb. Now she could see flies crawling slowly out of a saucer of milk with their wings stuck together; and she strained and strained (standing in front of the looking-glass, listening to Rose Shaw) to make herself see Rose Shaw and all the other people there as flies, trying to hoist themselves out of something, or into something, meagre, insignificant, toiling flies. But she could not see them like that, not other people. She saw herself like that—she was a fly, but the others were dragonflies, butterflies, beautiful insects, dancing, fluttering, skimming, while she alone dragged herself up out of the saucer. (Envy and spite, the most detestable of the vices, were her chief faults.)

"I feel like some dowdy, decrepit, horribly dingy old fly," she said, making Robert Haydon stop just to hear her say that, just to reassure herself by furbishing up a poor weak-kneed phrase and so showing how detached she was, how witty, that she did not feel in the least out of anything. And, of course, Robert Haydon answered something, quite polite, quite insincere, which she saw through instantly, and said to herself, directly he went (again from some book), "Lies, lies, lies!" For a party makes things either much more real, or much less real, she thought; she saw in a flash to the bottom of Robert Haydon's heart; she saw through everything. She saw the truth. THIS was true, this drawing-room, this self, and the other false. Miss Milan's little workroom was really terribly hot, stuffy, sordid. It smelt of clothes and cabbage cooking; and yet, when Miss Milan put the glass in her hand, and she looked at herself with the dress on, finished, an extraordinary bliss shot through her heart. Suffused with light, she sprang into existence. Rid of cares and wrinkles, what she had dreamed of herself was there—a beautiful woman. just for a second (she had not dared look longer, Miss Milan wanted to know about the length of the skirt), there looked at her, framed in the scrolloping mahogany, a grey-white, mysteriously smiling, charming girl, the core of herself, the soul of herself; and it was not vanity only, not only self-love that made her think it good, tender, and true. Miss Milan said that the skirt could not well be longer; if anything the skirt, said Miss Milan, puckering her forehead, considering with all her wits about her, must be shorter; and she felt, suddenly, honestly, full of love for Miss Milan, much, much fonder of Miss Milan than of any one in the whole world, and could have cried for pity that she should be crawling on the floor with her mouth full of pins, and her face red and her eyes bulging—that one human being should be doing this for another, and she saw them all as human beings merely, and herself going off to her party, and Miss Milan pulling the cover over the canary's cage, or letting him pick a hemp-seed from between her lips, and the thought of it, of this side of human nature and its patience and its endurance and its being content with such miserable, scanty, sordid, little pleasures filled her eyes with tears.

And now the whole thing had vanished. The dress, the room, the love, the pity, the scrolloping looking-glass, and the canary's cage—all had vanished, and here she was in a corner of Mrs. Dalloway's drawing-room, suffering tortures, woken wide awake to reality.

But it was all so paltry, weak-blooded, and petty-minded to care so much at her age with two children, to be still so utterly dependent on people's opinions and not have principles or convictions, not to be able to say as other people did, "There's Shakespeare! There's death! We're all weevils in a captain's biscuit"—or whatever it was that people did say.

She faced herself straight in the glass; she pecked at her left shoulder; she issued out into the room, as if spears were thrown at her yellow dress from all sides. But instead of looking fierce or tragic, as Rose Shaw would have done—Rose would have looked like Boadicea—she looked foolish and self-conscious, and simpered like a schoolgirl and slouched across the room, positively slinking, as if she were a beaten mongrel, and looked at a picture, an engraving. As if one went to a party to look at a picture! Everybody knew why she did it—it was from shame, from humiliation.

"Now the fly's in the saucer," she said to herself, "right in the middle, and can't get out, and the milk," she thought, rigidly staring at the picture, "is sticking its wings together."

"It's so old-fashioned," she said to Charles Burt, making him stop (which by itself he hated) on his way to talk to some one else.

She meant, or she tried to make herself think that she meant, that it was the picture and not her dress, that was old-fashioned. And one word of praise, one word of affection from Charles would have made all the difference to her at the moment. If he had only said, "Mabel, you're looking charming to-night!" it would have changed her life. But then she ought to have been truthful and direct. Charles said nothing of the kind, of course. He was malice itself. He always saw through one, especially if one were feeling particularly mean, paltry, or feeble-minded.

"Mabel's got a new dress!" he said, and the poor fly was absolutely shoved into the middle of the saucer. Really, he would like her to drown, she believed. He had no heart, no fundamental kindness, only a veneer of friendliness. Miss Milan was much more real, much kinder. If only one could feel that and stick to it, always. "Why," she asked herself—replying to Charles much too pertly, letting him see that she was out of temper, or "ruffled" as he called it ("Rather ruffled?" he said and went on to laugh at her with some woman over there)—"Why," she asked herself, "can't I feel one thing always, feel quite sure that Miss Milan is right, and Charles wrong and stick to it, feel sure about the canary and pity and love and not be whipped all round in a second by coming into a room full of people?" It was her odious, weak, vacillating character again, always giving at the critical moment and not being seriously interested in conchology, etymology, botany, archeology, cutting up potatoes and watching them fructify like Mary Dennis, like Violet Searle.

Then Mrs. Holman, seeing her standing there, bore down upon her. Of course a thing like a dress was beneath Mrs. Holman's notice, with her family always tumbling downstairs or having the scarlet fever. Could Mabel tell her if Elmthorpe was ever let for August and September? Oh, it was a conversation that bored her unutterably!—it made her furious to be treated like a house agent or a messenger boy, to be made use of. Not to have value, that was it, she thought, trying to grasp something hard, something real, while she tried to answer sensibly about the bathroom and the south aspect and the hot water to the top of the house; and all the time she could see little bits of her yellow dress in the round looking-glass which made them all the size of boot-buttons or tadpoles; and it was amazing to think how much humiliation and agony and self-loathing and effort and passionate ups and downs of feeling were contained in a thing the size of a threepenny bit. And what was still odder, this thing, this Mabel Waring, was separate, quite disconnected; and though Mrs. Holman (the black button) was leaning forward and telling her how her eldest boy had strained his heart running, she could see her, too, quite detached in the looking-glass, and it was impossible that the black dot, leaning forward, gesticulating, should make the yellow dot, sitting solitary, self-centred, feel what the black dot was feeling, yet they pretended.

"So impossible to keep boys quiet"—that was the kind of thing one said.

And Mrs. Holman, who could never get enough sympathy and snatched what little there was greedily, as if it were her right (but she deserved much more for there was her little girl who had come down this morning with a swollen knee-joint), took this miserable offering and looked at it suspiciously, grudgingly, as if it were a halfpenny when it ought to have been a pound and put it away in her purse, must put up with it, mean and miserly though it was, times being hard, so very hard; and on she went, creaking, injured Mrs. Holman, about the girl with the swollen joints. Ah, it was tragic, this greed, this clamour of human beings, like a row of cormorants, barking and flapping their wings for sympathy—it was tragic, could one have felt it and not merely pretended to feel it!

But in her yellow dress to-night she could not wring out one drop more; she wanted it all, all for herself. She knew (she kept on looking into the glass, dipping into that dreadfully showing-up blue pool) that she was condemned, despised, left like this in a backwater, because of her being like this a feeble, vacillating creature; and it seemed to her that the yellow dress was a penance which she had deserved, and if she had been dressed like Rose Shaw, in lovely, clinging green with a ruffle of swansdown, she would have deserved that; and she thought that there was no escape for her—none whatever. But it was not her fault altogether, after all. It was being one of a family of ten; never having money enough, always skimping and paring; and her mother carrying great cans, and the linoleum worn on the stair edges, and one sordid little domestic tragedy after another—nothing catastrophic, the sheep farm failing, but not utterly; her eldest brother marrying beneath him but not very much—there was no romance, nothing extreme about them all. They petered out respectably in seaside resorts; every watering-place had one of her aunts even now asleep in some lodging with the front windows not quite facing the sea. That was so like them—they had to squint at things always. And she had done the same—she was just like her aunts. For all her dreams of living in India, married to some hero like Sir Henry Lawrence, some empire builder (still the sight of a native in a turban filled her with romance), she had failed utterly. She had married Hubert, with his safe, permanent underling's job in the Law Courts, and they managed tolerably in a smallish house, without proper maids, and hash when she was alone or just bread and butter, but now and then—Mrs. Holman was off, thinking her the most dried-up, unsympathetic twig she had ever met, absurdly dressed, too, and would tell every one about Mabel's fantastic appearance—now and then, thought Mabel Waring, left alone on the blue sofa, punching the cushion in order to look occupied, for she would not join Charles Burt and Rose Shaw, chattering like magpies and perhaps laughing at her by the fireplace—now and then, there did come to her delicious moments, reading the other night in bed, for instance, or down by the sea on the sand in the sun, at Easter—let her recall it—a great tuft of pale sand-grass standing all twisted like a shock of spears against the sky, which was blue like a smooth china egg, so firm, so hard, and then the melody of the waves—"Hush, hush," they said, and the children's shouts paddling—yes, it was a divine moment, and there she lay, she felt, in the hand of the Goddess who was the world; rather a hard-hearted, but very beautiful Goddess, a little lamb laid on the altar (one did think these silly things, and it didn't matter so long as one never said them). And also with Hubert sometimes she had quite unexpectedly—carving the mutton for Sunday lunch, for no reason, opening a letter, coming into a room—divine moments, when she said to herself (for she would never say this to anybody else), "This is it. This has happened. This is it!" And the other way about it was equally surprising—that is, when everything was arranged—music, weather, holidays, every reason for happiness was there—then nothing happened at all. One wasn't happy. It was flat, just flat, that was all.

Her wretched self again, no doubt! She had always been a fretful, weak, unsatisfactory mother, a wobbly wife, lolling about in a kind of twilight existence with nothing very clear or very bold, or more one thing than another, like all her brothers and sisters, except perhaps Herbert—they were all the same poor water-veined creatures who did nothing. Then in the midst of this creeping, crawling life, suddenly she was on the crest of a wave. That wretched fly—where had she read the story that kept coming into her mind about the fly and the saucer?—struggled out. Yes, she had those moments. But now that she was forty, they might come more and more seldom. By degrees she would cease to struggle any more. But that was deplorable! That was not to be endured! That made her feel ashamed of herself!

She would go to the London Library to-morrow. She would find some wonderful, helpful, astonishing book, quite by chance, a book by a clergyman, by an American no one had ever heard of; or she would walk down the Strand and drop, accidentally, into a hall where a miner was telling about the life in the pit, and suddenly she would become a new person. She would be absolutely transformed. She would wear a uniform; she would be called Sister Somebody; she would never give a thought to clothes again. And for ever after she would be perfectly clear about Charles Burt and Miss Milan and this room and that room; and it would be always, day after day, as if she were lying in the sun or carving the mutton. It would be it!

So she got up from the blue sofa, and the yellow button in the looking-glass got up too, and she waved her hand to Charles and Rose to show them she did not depend on them one scrap, and the yellow button moved out of the looking-glass, and all the spears were gathered into her breast as she walked towards Mrs. Dalloway and said "Good night."

"But it's top early to go," said Mrs. Dalloway, who was always so charming.

"I'm afraid I must," said Mabel Waring. "But," she added in her weak, wobbly voice which only sounded ridiculous when she tried to strengthen it, "I have enjoyed myself enormously."

'I have enjoyed myself," she said to Mr. Dalloway, whom she met on the stairs.

"Lies, lies, lies!" she said to herself, going downstairs, and "Right in the saucer!" she said to herself as she thanked Mrs. Barnet for helping her and wrapped herself, round and round and round, in the Chinese cloak she had worn these twenty years.







To The Readers:

If you are looking for novels and stories to read online then you have come to the right place. This is a free online novels and stories blog. You can explore this blog to search online novels and stories in different genres and tastes such as - online romantic novels, horror novels and stories, online love stories, suspense novels and stories online, novels based on fairytale fantasy, children fantasy stories and novels, ghost stories online, online supernatural snake stories.

You can also search this blog with the following tags: bedtime stories to read, stories to read online, english novels for beginners, novels for students online, online novels website, very short stories online, online stories for kids.

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